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Luther broke into the music business as a background singer in the 1970s for artists such as David Bowie, Chaka Khan, Diana Ross, Chic, Sister Sledge, Barbra Streisand and Donna Summer among others. He was also a vocal arranger and songwriter, creating songs such as “Everybody Rejoice (Brand New Day)” used in the Broadway musical The Wiz. After releasing two albums with the group Luther in 1976 and 1977, his profile began to rise with his lead features on the group Change’s 1980 hits “Searching” and “The Glow of Love.” Luther’s debut album Never Too Much was released in 1981 and hit #1 on the Billboard R&B Albums chart. His five subsequent albums through 1991 also peaked at #1 on the R&B chart and are certified Platinum.
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They had all of his music, which they have the rights to, so we were able to let those songs play out in the film. We didn’t have to use just 10 seconds of a song because we were trying to save budget money. I had never done a music doc before or this type of biographical treatment. So, it was a lot of fun to discover him through his music. Written in the album “Never Too Much” by Luther Vandross, this song is one of the more famous tracks. The soul and vibes generated by this song are top tier, and this song has been sampled many times through famous groups, such as the Blue Devils drum and bugle core in 2011, when they won a world championship.
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I could have done a 20-minute sequence of talk-show people asking him about his weight. He didn’t get to talk about the music first. He had to talk about where his weight was. He was on Oprah 14 times. That was a time when she too was very publicly going through her ups and downs with weight, so that’s something that they shared. I think they both related to the fact that they weren’t just struggling with weight, they were struggling with weight in public.
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All six of these albums featured contributions from his longtime musical partners Marcus Miller and Nat Adderley Jr, and the trio continued to work together on Luther’s Gold and Platinum albums up through his last, 2003’s Dance With My Father. Luther Ronzoni Vandross (April 20, 1951 – July 1, 2005) was an American R&B and soul singer-songwriter, and record producer. During his career, Vandross sold over twenty-five million albums and won eight Grammy Awards including Best Male R&B Vocal Performance four times. He won four Grammy Awards in 2004 including the Grammy Award for Song of the Year for the track "Dance With My Father", co-written with Richard Marx.
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And in general with weight gain and not being able to lose it, there is a lot of shame around it. This feeling of, “Why can’t I master this? ” It’s a conversation we are having today. Two weeks ago, Oprah says she uses weight loss drugs and it prompts an ABC news special. Sony was on board right away. The company is obviously a big fan of his, and they knew how much material they had, which was tremendous for us.
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On April 16, 2003, just four days before his 52nd birthday, Vandross suffered a stroke in his home in Manhattan.His funeral was in New York City on July 8, 2005. After two days of viewing, Vandross was laid to rest in George Washington Memorial Park in Paramus, New Jersey. Doo doo doo doo dooDoo doo doo doo doo doo doo doo dooDoo doo doo doo doo doo doo doo doo doo dooOh...
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I really, really struggled with that because he dealt with it the way that he dealt with it. So, in the end, what we decided is the thing to do is let him speak for himself. If you think about the time that he was living in — AIDS was rampant — and he’s already struggling to become a pop star.
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His performance of the song at the 1988 NAACP Awards telecast would bring Warwick to tears. The 101-minute film about the life and career of the late R&B singer Luther Vandross made its world premiere at the Sundance Film Festival in January and has since become an audience favorite on the festival circuit. In addition to serving as Hot Docs’ opening night film, the movie will also launch the Hot Doc’s Pop/ Life sidebar of films about music and musicians.
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Oh...A chair is still a chairEven when there's no one sitting thereBut a chair is not a house and a house is not a homeWhen there's no one there to hold you tightAnd no one there you can kiss goodnightWhoa... Yeah...I'm not meant to live aloneTurn this house into a homeWhen I climb the stairs and turn the keyOh, please be there still in love...I said still in love...Still in love... Yeah...Are you gonna be in love with me? Say that you're gonna be...Still in love with me... Yeah...With me...
Oh...Still in love with me, yeah... During his career, he won eight Grammy Awards, sold over 30 million albums and also produced hits for other artists such as Aretha Franklin (“Jump To It” and “Get It Right”). In the film, Porter chronicles Vandross’ rise from background singer to singing sensation via archival interviews with Vandross and new ones with his collaborators, including legendary recording artists Mariah Carey and Dionne Warwick. Rarely seen archives, concert footage and candid conversations bring to life one of the greatest songwriters and vocalists in recording industry history.
Who are we to say what decision he should make about how much he talks about his sexuality? And he just says, “I’m not gonna give you an answer.” I think that it’s frustrating for us, but that’s the answer he chose to give and that’s the answer we chose to honor in the film. Some people will be happy with that. Some will be upset about that. Luther’s weight was a topic of conversation incessantly in the late 1990s and early 2000s.
It’s been very surprising to me. I’m sure that it is going to find the right home and we are in some advanced conversations, but yeah, I’m a bit perplexed why the film hasn’t sold yet. Many of my formative years were accompanied by Luther’s music, so it was very important for me to make this film and do Luther right by it. But as much as I’ve always loved his music and personality, I learned so much more about his story through the making of this film. Discovering insights into stories you think you know is one of my favorite parts about documentary filmmaking. The doc, which marks the first-ever estate sanctioned feature-length nonfiction film about the R&B legend, was financed by Sony Music Entertainment, the company that owns Vandross’ music.
Luther Vandross: Love, Luther - PopMatters
Luther Vandross: Love, Luther.
Posted: Thu, 20 Dec 2007 08:00:00 GMT [source]
Jamie Foxx and Colin Firth both served as executive producers. Vandross's version was sampled by Kanye West for "Slow Jamz", from Twista's 2004 album Kamikaze, as well as Kanye's own 2004 studio album The College Dropout. The Warwick single was performed in the key of F major, and it is most often played in that key in jazz interpretations. Bacharach recorded and performs the song in the key of A-flat major.
In addition to capturing his achievements — Vandross received 11 consecutive platinum albums and sold over 50 million records worldwide — Porter also highlights the singer’s struggles, which included unrequited love, weight issues and a lifelong battle to achieve the professional respect he deserved. We're doing our best to make sure our content is useful, accurate and safe.If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly. Pretty little darling, have a heart, don't let one mistake keep us apartI'm not meant to live alone, turn this house into a homeWhen I climb the stairs and turn the keyOh, please be there, sayin' that you're still in love with me, yeah... Warwick's version of "A House Is Not a Home" fared better in Canada, where it was a top 40 hit, peaking at #37. The ballad made the R&B top 10 in Cashbox by both Warwick and Benton, with neither artist specified as best seller.
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